Conversations on Unlisted 2013 conference for #culturalheritage
Looking back at our Unlisted 2013 conference, I am proud to say that this year’s conference was our most successful to date. As in years past, the Unlisted conference brought together academics and professionals in a forum to discuss cultural heritage, with this year’s theme “Conversation for Conservation”, i.e. the necessary dialogue in social media for cultural heritage and ongoing awareness.
Over the past few years, we have chosen to accompany and complement our mission to promote cultural heritage by investing time in social media and video production, as we feel these contemporary forums are integral to education, promotion and sharing messages. Our objective for Unlisted since the beginning was never to be a strictly academic conference for archaeologists and conservators but rather more out of the box and on the fringe of academia in the hopes of inspiring ideas and opening eyes/ears to a different kind of dialogue, and likewise expand the audience.
With that in mind, this year, we chose to investigate the overlap of cultural heritage and new media in many different and sometimes unfamiliar areas, leading us to encapsulate our (AIRC and Unlisted participants) interests, questions and potential solutions. This year’s conference was shorter than in prior years- a three-hour program that included presentations and roundtable with a filmmaker, a journalist, two photographers, two social media strategists, along with the AIRC itself.
Unlisted 2013 was like viewing cultural heritage through a contemporary and technological kaleidoscope. Journalist Stephan Faris related our theme to journalism and reportage, while MiBAC’s Giuseppe Ariano discussed the Ministry of Culture’s growing voice and online engagement. Photographer Sam Horine talked about instantaneous communication via photography and Instagram, citing his work during Hurricane Sandy. Photographer Nicolee Drake also discussed Instagram and the use of imagery in promoting cultural heritage. Erica Firpo presented AIRC’s social media progress and its focused methods for cultural heritage, whereas I discussed AIRC work in video and photography projects which include Fasti online (Palatine dig), Digging History (AIRC initiavie), MiBAC eduation, and Comune di Roma. Rose Bonello spoke about her success in engaging communities, finding corporate sponsorship and using technology as an aggregator fueled by passionate storytelling. Most poignant was Brent Huffman as he relayed the power of video film documentary to halt or at least for now retard the destruction of a precious heritage site in Afghanistan.
This year, Unlisted 2013 not only crossed genres - archaeology, film making and social media- but our dialogue also traversed a variety of platforms outside of the physicality of the conference hall. Thanks to Marconi University for live streaming, we had conversations via blogs and twitter, and even saw a brief Vine post [username: ThePlanet]. And in the days following the conference, Albert, Sam, Erica, Nicolee and I traveled around Rome and Naples to put this conversation into action through social media outlets and more specifically the hashtag #culturalheritage. We didn’t invent the tag- cultural heritage has been around forever, but we encourage you to use it when you tweet, tumblr, gram and Vine. Take a look out posts, feeds, galleries– yes, there is a lot going on but we can make it good.
~Darius Arya, Executive Director
Darius loves to talk about cultural heritage. You can find him on Twitter and Instagram all the time.
Applications Open: Archaeology Field School 2013
We are pleased to announce that we are now accepting applications for our 2013 field school, an intensive six-week educational program in Roman archaeology led by AIRC faculty and affiliated expert archaeologists. Following two successful digs in Ostia Antica, we continue in our investigations in the harbor city of ancient Rome. And just as in past years, our field school offers both a synchronic (single-period) and a diachronic (multi-period) approach to the study of Roman culture to provide a comprehensive historical and cultural appreciation of Rome and Roman civilization, from its rise to power to its decline, understanding how it set a standard of cultural values that continues to exert influence over the entire Western world to this day.
From June 10 through July 21, students will live in Rome’s historic center as they experience the unique combination of (1) one week of specialized academic instruction on the topography and development of Rome, including visits to major museums and open-air sites to augment field studies and provide participants with a broader context of what life was like in the ancient city, and (2) five weeks of hands-on fieldwork at Ostia Antica. Students can expect hands-on experience and learning in techniques and methodologies of modern archaeological research, archaeological recording and record-keeping, identifying variety of Roman artifacts and building techniques/materials and practice “reading” art, architecture, and other traces of this civilization’s material culture to reconstruct the wider cultural framework, principles of conservation and in depth familiarity with the city of Rome, its port at Ostia and their rich archaeological record.
For more information about our field school, please visit the 2013 Field School information page, review the application/general information, and read Popular Archaeology’s article about our excavation program. We remain available to you via email info[at]romanculture.org and are happy to speak with
From June 10 through July 21, 2013, students will live in Rome’s historic center as they experience the unique combination of (1) one week of specialized academic instruction on the topography and development of Rome, including visits to major museums and open-air sites to augment field studies and provide participants with a broader context of what life was like in the ancient city, and (2) five weeks of hands-on fieldwork at an important archaeological site in the city and environs (including laser scanning and total station workshops). Students can expect hands-on experience and learning in techniques and methodologies of modern archaeological research, archaeological record-keeping, identifying variety of Roman artifacts and building techniques/materials and practice “reading” art, architecture, and other traces of this civilization’s material culture to reconstruct the wider cultural framework, principles of conservation and in depth familiarity with the city of Rome, its port at Ostia and their rich archaeological record.
For more information about our field school, please visit the 2013 Field School information page, review the application/general information, and read Popular Archaeology‘s article about our excavation program. We remain available to you via email info[at]romanculture.org and are happy to speak with you to set up a phone conversation to discuss your academic and logistical needs.
Welcome back, Santa Maria Antiqua
One of our favorite sites to visit in the Roman Forum is the church of Santa Maria Antiqua, which up until this week had been closed to public viewing. Santa Maria Antiqua is the oldest church in the Roman Forum and a key monument in the transformation of the Forum from pagan to Christian space: constructed in the 6th century inside a 1st-century structure with courtyard attached to the Imperial palace on the Palatine hill above. Santa Maria Antiqua was abruptly abandoned in the 9th century after a devastating earthquake and resulting landslide. The church was rediscovered at the turn of the 20th century, partly restored, and made accessible to visitors until 1980, when it was permanently closed due to damage caused by rising damp. Since 2006, Santa Maria Antiqua has been a World Monuments Fund project, led by mural conservators Werner Schmid and Giuseppe Morganti, who have been working with the Archaeological Superintendency of Rome to restore the frescoes and permanently resolve the damp problem.
Thanks to centuries of sealing off, Santa Maria Antiqua can be considered a veritable Pompeii-like site- somewhat untouched postcards of an era that was written over. Its walls showcase a cycle of beautiful frescoes depicting the Virgin Mary and baby Jesus, popes, saints, and martyrs, thus forming one of the largest and most important collections of pre-Iconoclastic Roman and Byzantine art in the world. These frescoes date to a period of iconoclasm when in East figures in churches were destroyed. The AIRC has a special connection with Santa Maria Antiqua. In years past, we have excavated in front of the site and we have also done our best to help WMF, Schmid, Morganti and team. Over these past six years, we’ve had given special entry and behind-the-scenes access to Santa Maria Antiqua thanks to professors Morganti and Schmid, who’ve also taken the time to speak with our students.
From now through November 4, Santa Maria Antiqua is available for public visits. A maximum of 25 persons can visit the site for approximately 45 minutes. Reserve via coopculture.it , 06 39967700. Cost: €12+ €9 (Foro romano entrance ticket + guided visit)
Additional reading: La Repubblica, Washington Post
Photos by AIRC and La Repubblica
International Association for Classical Archaeology AIAC
Not necessarily the protagonist of most coffee table conversations, the International Association for Classical Archeology (Associazione Internazionale di Archeologia Classica or AIAC) is the classical archaeologist’s best friend. A prestigious organization for promoting archaeological activities throughout Italy, AIAC is located right behind the tourist hub of Rome’s Piazza Venezia and the Vittoriano in the former papal residence of Palazzo Venezia. This unique historical setting speaks to the academic and institutional importance of AIAC as large scale research organization, benefiting members and scholars worldwide.
Founded in the aftermath the Second World War in 1946, AIAC was originally created with the aim to provide an international forum for archeologists and researchers to discuss classical archaeology across national, economic, or even political borders. AIAC’s roots, however, date back to 1823, when a small group of four northern European intellectuals would reunite periodically in Rome in order to explore the city’s architectural and artistic treasures as well as to read and discuss classical texts. This camaraderie resulted in the formation of the group entitled the “Circle of Hyperborean Romans” (Il “Circolo degli Iperborei Romani), in reference to the natives of Hyperborea, a mythical region supposedly located to the north of Thrace according to the ancient Greeks. In 1928, E. Gerhard, a member of this small knit community, launched the first archeological journal on Rome, under the newly inaugurated Institute of Archeological Correspondence. 
Gerhard’s commitment to consolidate classical archaeological knowledge remains primordial to AIAC today. Starting in the 1950’s the association has hosted and organized a series of quinquennial conferences in large metropolises across the globe, such as Rome, Ankara and Izmir, Paris and Berlin. In 2008, AIAC marked its fifty years of conference organizing with its 10th meeting in Rome, entitled “Meetings between Cultures in the Ancient Mediterranean”.
In 2000, AIAC began publishing FASTI online, a website dedicated to consolidate news and updates on ongoing preservation and excavation projects worldwide. By the end of 2012, the organization hopes to provide each project with appropriate visuals, which American Institute for Roman Culture is proud to participate in doing. Since Spring 2011, we have been producing a series of short, documentary videos on excavation and conservation projects for FASTI/AIAC and with the generous help of the Italian Ministry of Culture (MiBAC). Our partnership has deepened this past summer as we are now sharing as office space in Palazzo Venezia and just down the hall from the AIAC center.
Please enjoy a look at our FASTI mini-documentaries.
by Michelle Al-Ferzly, Wellesley College Summer 2012 intern
Dig Rome: Ostia Antica 2012 has begun!
They have arrived! Ostia Antica Summer 2012 Excavation group is ready to get dirty! This week, we will be visiting several sites and monuments in Rome so please take a look at our twitter feeds: @AIRomanculture and @SaveRome (as well as instagram), and hashtags: #digrome #ostiaantica12. 
Half of our OstiaAntica 12 students taking a stroll in the Roman Forum.
Life in the Trenches: Romesick
Potential student excavators beware! If you go with AIRC to dig in Ostia, you WILL feel “Romesick” as soon as you leave!
I participated in AIRC’s Ostia field school two summers ago, and my time in Rome still affects who I am today. I now conduct my discipline of art history/archaeology as well as my life differently because of having learned and lived in this unique environment.
Ostia Antica is a fantastic site to excavate. It seems like it is always a work in progress, with other field schools and preservation projects occurring at the same time as AIRC’s dig. As an excavator, you are part of the process that creates and shapes how tourists and historians will perceive Ostia. Every time you sink your pickaxe or shovel into the ground, you are technically determining how the future will understand the ancient past!! Every day it felt so satisfying to walk back to the train station with everyone, covered in dirt from a hard day’s work and thinking about what laid in store for us tomorrow.
By the end of the six weeks, I loved all of the amazing friendships I made and how much I learned about myself. I still keep in touch with the other USC students who went on the dig with me, as well as many of the non-USC students too. I got to know and learn from Professor John Pollini and the AIRC staffers, and they all have been incredible mentors and teachers to me. I loved the independence and confidence I gained from living in Rome, being able to wander around on the weekends and late afternoons casually exploring the city. I really felt that I knew Rome like a local, like it had always been my home.
Even after two years, my time in Ostia with AIRC continues to aid my eagerness to learn. I went on another dig this past summer, and it was great to already have some excavation knowledge (and impress the field school’s staff with it!!). I could immediately participate in more complicated activities like field surveying and artifact conservation because AIRC gave me a great foundation in proper excavating, preserving, and cataloging techniques. They provided a well-rounded introduction to field archaeology that expanded my future opportunities.
If you aren’t scared of getting dirty, actively shaping Roman history, and living abroad for a summer, then AIRC’s Ostia field school will be a fantastic experience! My time in Rome changed me, and since then I have truly looked at life and the ancient past in a different and exciting way.
~ Alexandria Yen, SAFS ’10, will receive her B.A. in Archaeology and Art History from the University of Southern Californiain 2012
Life in the Trenches: An Augustan Experience
If my summer digging with AIRC in Ostia were a Roman Emperor, it would have to be Augustus. Not only was it the best summer ever, but it was also a time of personal and academic growth, development, and expansion.
I had worked for a few seasons on a dig near my hometown in New England, and, as an archaeology major, had always dreamed of working in Rome and gaining experience in Mediterranean field archaeology. In terms of skill building, I couldn’t have asked for more. While we spent most of our time digging, there was plenty of time spent getting acquainted with the ins and outs of artifact washing and cataloging, archaeological drawing, wall profiles, and surveying with a Total Station. In short, it was a complete field experience. My favorite times were spent swinging a pickaxe like I had a vendetta against the topsoil, but I am grateful for getting to develop my skills in other areas of fieldwork. 
There’s nowhere else to dig quite like Ostia. While still part of Rome, it’s quiet and idyllic; like digging in your neighborhood park (if your neighborhood were 2,000 years old and had a forum built by Tiberius). Since Ostia is often overlooked by tourists, it will feel like it’s your own. For all that, it’s only a 25 minute train ride from the center of Rome. Living right in the centro storico was an unbelievable experience, and I would happily spend my evenings and weekends exploring the little stone-paved streets and parks, or even traveling further afield throughout Lazio. To live in such a city, even for a summer, will challenge and excite you every day.
Ultimately, a field school is only as a good as the people who are part of it. There is so much to learn from the combined knowledge and years of experience of the AIRC staff—even if that means being repeatedly told “No Jonathan, that’s just another pretty rock.” I was surprised to find that many of the other students were not Archaeology or Classics majors, but quickly saw that just about everyone shared my enthusiasm for the subject matter and the work we were doing. We bonded right away, cooking together in our apartments and trying to figure out who was the sweatiest and filthiest on the train ride home. My trenchmates and I are still in touch.
When you sign up for the AIRC’s field school in Ostia, , you are signing up for more than archaeological skills and experience. You will leave with new friends and a unique experience under your belt that will give you a new way of looking at the world. I certainly came out the better for it. As Augustus himself said:
Ostia archaeologatorem marmoreum relinquit, quem geekum latericium accepit.
~ Jonathan Migliori, SAFS ‘10, is graduate of Brown University 2011 and will receive his M.A. from Durham University in 2012.
Podcasting Culture in Rome
On November 26, at American University of Rome and British School in Rome-hosted conference “Our Future’s Past“, I was pleased to participate and present with my AIRC colleague Alberto Prieto . We spoke on the final day of the 3-day conservation/ cultural heritage conference where topics addressed included various aspects of technology and innovation. (more…)We’ve Been Busy: Fasti Online mini-documentaries
When we haven’t been digging, teaching and trying to help promote cultural heritage, we’ve joined forces with International Association for Classical Archaeology (AIAC) to co-produce a series of short documentary videos about ongoing archaeological excavations and research projects in Italy. Our objective is to enrich AIAC’s Fasti Online web-based database of archaeological work in Italy since 2000 with well-produced, great looking and never-boring educational videos taking you into on-going excavations.
Take a peak at our recent debuts– Gabii Project, Sant’Omobono, the Church of St. Mark on the Via Ardeatina and Pompeii Archaeological Research Project: Porta Stabia– available on AIRC’s YouTube channel WEDIGROME and on our Romanculture videos page.
AIRC and AIAC gratefully acknowledge the support of the Italian Ministry of Culture (MiBAC).
