Looking back at our Unlisted 2013 conference, I am proud to say that this year’s conference was our most successful to date. As in years past, the Unlisted conference brought together academics and professionals in a forum to discuss cultural heritage, with this year’s theme “Conversation for Conservation”, i.e. the necessary dialogue in social media for cultural heritage and ongoing awareness.
Over the past few years, we have chosen to accompany and complement our mission to promote cultural heritage by investing time in social media and video production, as we feel these contemporary forums are integral to education, promotion and sharing messages. Our objective for Unlisted since the beginning was never to be a strictly academic conference for archaeologists and conservators but rather more out of the box and on the fringe of academia in the hopes of inspiring ideas and opening eyes/ears to a different kind of dialogue, and likewise expand the audience.
With that in mind, this year, we chose to investigate the overlap of cultural heritage and new media in many different and sometimes unfamiliar areas, leading us to encapsulate our (AIRC and Unlisted participants) interests, questions and potential solutions. This year’s conference was shorter than in prior years- a three-hour program that included presentations and roundtable with a filmmaker, a journalist, two photographers, two social media strategists, along with the AIRC itself.
Unlisted 2013 was like viewing cultural heritage through a contemporary and technological kaleidoscope. Journalist Stephan Faris related our theme to journalism and reportage, while MiBAC’s Giuseppe Ariano discussed the Ministry of Culture’s growing voice and online engagement. Photographer Sam Horine talked about instantaneous communication via photography and Instagram, citing his work during Hurricane Sandy. Photographer Nicolee Drake also discussed Instagram and the use of imagery in promoting cultural heritage. Erica Firpo presented AIRC’s social media progress and its focused methods for cultural heritage, whereas I discussed AIRC work in video and photography projects which include Fasti online (Palatine dig), Digging History (AIRC initiavie), MiBAC eduation, and Comune di Roma. Rose Bonello spoke about her success in engaging communities, finding corporate sponsorship and using technology as an aggregator fueled by passionate storytelling. Most poignant was Brent Huffman as he relayed the power of video film documentary to halt or at least for now retard the destruction of a precious heritage site in Afghanistan.
This year, Unlisted 2013 not only crossed genres - archaeology, film making and social media- but our dialogue also traversed a variety of platforms outside of the physicality of the conference hall. Thanks to Marconi University for live streaming, we had conversations via blogs and twitter, and even saw a brief Vine post [username: ThePlanet]. And in the days following the conference, Albert, Sam, Erica, Nicolee and I traveled around Rome and Naples to put this conversation into action through social media outlets and more specifically the hashtag #culturalheritage. We didn’t invent the tag- cultural heritage has been around forever, but we encourage you to use it when you tweet, tumblr, gram and Vine. Take a look out posts, feeds, galleries– yes, there is a lot going on but we can make it good.
[Reconstructed imperial era tomb at the Museo Nazionale (Baths of Diocletian). Photo by Prof. Morel]
Every year, we eagerly await the announcement for Settimana della Cultura, Culture Week, a ten-day span which we’ve relished over the past several years as an opportunity not just to visit museums for free, but visit as many museums as possible. This year, news was sent out early and unfortunately it was not good. In an effort to cut costs and save money the Italian Ministry of Culture, MiBAC, has cancelled culture week.
Canceled? How could they do that? It’s easy. MiBAC’s Anna Maria Buzzi commented that “we [MiBAC] can no longer permit ourselves to renounce entry collections during those 7 days in spring, one of the periods of the year when more visitors come [to Italy]. We will, however, maintain open museums with free entry the last Sunday of each month to Italian families in true financial difficulty.”
For those looking to save money while visiting museums and cultural sites, please make sure to look into state and province-sponsored cards such as Roma Pass, a 3-day ticket which includes free entrance into two participating museums or archaeological sites, discounted entrance to subsequent sites and free public transport during the 72 hour time period. Cost: 30 euro. And our favorite Archeologia Card, a 7-day ticket which includes free [single] entrance to Colosseo, Palatino/For Romano, National Museums: Palazzo Altemps, Palazzo Massimo, Crypta Balbi, Terme di Diocleziano, Baths of Caracalla, Cecilia Metella and Villa dei Quintilli. Cost: 27.50 euro. Or the shorter term 4 Musei, a three-day ticket for single entry to Palazzo Altemps, Palazzo Massimo, Crypta Balbi and Terme di Diocleziano. Cost: 6.50 euro.
“What a city is for its own limits and territory, today Rome is for the inhabited Earth, as though it had proclaimed the common homeland of the whole world.” –from Eulogy of Rome by the Greek orator Aelius Aristides
Take a moment to imagine what it must have been like to live in a context in which one city dominated the world, as Aristides says, “under the rule of a single man . . . and everyone united as if in a common forum, with each man receiving that which suits him.” The sheer scope of such an existence is mind-boggling. Nothing comes close to it in modern-day terms. The Roman Empire stands alone in its depth and breadth.
And so begins “Caput Mundi: a city between domination and integration,” exhibition at Rome’s Colosseum. Caput Mundi elucidates the balancing act that the Empire faced by both conquering and eventually integrating those it came to dominate. A precarious endeavor where the aggressive actions of the Empire perhaps produced civilization’s first and quintessential “melting pot.” The Roman Empire mixed and matched various peoples (Latins, Samnites, Etruscans, Ligurians, Greeks) while also offering up a unique Roman culture, one that the Romans viewed as both encompassing, yet superior, to all others.
The exhibition boasts an impressive and carefully chosen selection of works from various museums both in Italy and abroad. The artifacts on display, like the bronze sentatoconsultum on the Bacchanalia, (an inscription of a law passed by the Roman senate that outlawed the Bacchanalia), serve to highlight the stark contrasts among opposing influences during the time of the Roman Empire: the intensity of its wars and conquests, the difficulties inherent in its diversity and wide-ranging geographic/cultural scope, and the complexity of its political and social make-up.
Though my academic background may not be strictly classics, I appreciated this exhibit for how it plainly revealed, both in words and artifacts, the complexities inherent both in governing and managing day-to-day affairs in such a unique political and social environment. As I read through the historical descriptions and admired the works of art dating back thousands of years, I continually found myself making ties and connections with modern-day Rome.
So much of ancient Rome continues on in today’s chaotic city. The tenacious, aggressive personality is equally complemented by the creative and light-hearted spirit of the Romans and their approach to daily life in Rome. The arrogance and superiority shown by a culture with such history – clearly revealed in this exhibition- were felt even at the time it was being made. While Rome continues to embrace people from all parts of the globe, it is still facing the internal conflict of acceptance versus dominance.
Caput Mundi runs through March 10, 2013- perfect timing.
~Shelley Ruelle, is AIRC Director of Programming. When we want to know what’s going on in Rome, we ask her. shelley.ruelle[at]romanculture.org
Photo above by Shelley Ruelle: Maximinus Thrax, the “Thracian” AD 235-238, 27th emperor of the Roman Empire and the first to have never actually set foot in Rome
This is the last week of the Summer Field School at Ostia Antica Tor Boacciana. We can’t believe how fast time has flown as we document the past. Here is a sampling of beautiful amazing photos taken on site by Selma Amzi, 2012 Field School Photography Intern. Please take a look at our Flickr collection while on site, as well Facebook.
If my summer digging with AIRC in Ostia were a Roman Emperor, it would have to be Augustus. Not only was it the best summer ever, but it was also a time of personal and academic growth, development, and expansion.
I had worked for a few seasons on a dig near my hometown in New England, and, as an archaeology major, had always dreamed of working in Rome and gaining experience in Mediterranean field archaeology. In terms of skill building, I couldn’t have asked for more. While we spent most of our time digging, there was plenty of time spent getting acquainted with the ins and outs of artifact washing and cataloging, archaeological drawing, wall profiles, and surveying with a Total Station. In short, it was a complete field experience. My favorite times were spent swinging a pickaxe like I had a vendetta against the topsoil, but I am grateful for getting to develop my skills in other areas of fieldwork.
There’s nowhere else to dig quite like Ostia.
While still part of Rome, it’s quiet and idyllic; like digging in your neighborhood park (if your neighborhood were 2,000 years old and had a forum built by Tiberius). Since Ostia is often overlooked by tourists, it will feel like it’s your own. For all that, it’s only a 25 minute train ride from the center of Rome. Living right in the centro storico was an unbelievable experience, and I would happily spend my evenings and weekends exploring the little stone-paved streets and parks, or even traveling further afield throughout Lazio. To live in such a city, even for a summer, will challenge and excite you every day.
Ultimately, a field school is only as a good as the people who are part of it. There is so much to learn from the combined knowledge and years of experience of the AIRC staff—even if that means being repeatedly told “No Jonathan, that’s just another pretty rock.” I was surprised to find that many of the other students were not Archaeology or Classics majors, but quickly saw that just about everyone shared my enthusiasm for the subject matter and the work we were doing. We bonded right away, cooking together in our apartments and trying to figure out who was the sweatiest and filthiest on the train ride home. My trenchmates and I are still in touch.
When you sign up for the AIRC’s field school in Ostia, , you are signing up for more than archaeological skills and experience. You will leave with new friends and a unique experience under your belt that will give you a new way of looking at the world. I certainly came out the better for it. As Augustus himself said:
Ostia archaeologatorem marmoreum relinquit, quem geekum latericium accepit.
Good morning, Rome! Set your alarms early for Saturday April 14th because you’re about to play Culture Week, 8 interactive days of free cultural sites, monuments and museums through out the Italian peninsula and islands. Okay, it’s not really a game, more an incentive by the Ministry of Culture to get people– whether locals or tourists– off the caffe chair and into a museum. However, a few years back, I invented a little healthy competition with some culturally enhanced friends where Culture Week meant we would voraciously visit every museum we’ve ever desired, yet not necessarily had the wallet to finance. At the end of the week, we’d throw down our free entry tickets much as much intensity as Patrick Bateman in the infamous business card scene (at 1:29), and winner literally took all.
So as not to confuse, Culture Week is primarily for state-run cultural sites and also includes events such as organized concerts and performances. Yes, there is a bit of a groan because the Colosseum/Roman Forum ticket is deliberately excluded from the free entrances this year. However, that double-header ticket seems a reasonable price to pay if everything else is free and Italy is trying to save some pennies culturally. For Lazio and Rome Culture Week info: take a look at this list of free sites/events in the Region of Lazio . In addition, Comune di Roma (City of Rome) organizes events (other local governments do as well). For information about civic museums participating in Culture Week, visit Musei In Comune, and also click here for event listings.
Are you ready to play the Culture Week game? Though the only rule is to get yourself into as many museums as possible, here are some guidelines to racking up as many points as possible:
- Accumulate points by . . . Visiting as many sites as possible and document– photos, instagram, twitter, who cares
- Get Bonus lives by . . . visiting off-beat, unknown and out-of-zone sites like a trip changing visit to Caserta, or listening to a concert at the Casa del Jazz.
- Lose a Life by . . . not paying attention. Some cultural attractions are privately financed and not subject to the free entrances as deigned by the Ministry of Culture.
My plans? Well, life isn’t always about the ancient so expect to find me traipsing about the Museo Napoleonico, enjoying some modern sculpture at the Museo Manzu, investigating Teatro Argentina, or finally figuring out what the Museo Pietro Canonica is all about.
We are proud to publish Professor Bernard Frischer‘s op-ed piece on Protecting Hadrian’s Villa, an i-petition created by Frischer and sponsored by the American Institute for Roman Culture. In less than a week, we have generated more than 2000 signatures, and are at 3650 signatures and counting.
Rome has long used a garbage dump at a place called Malagrotta. In June 2011, the EU Commission ordered Malagrotta closed because of various violations of EU environmental regulations. Since then the Region of Lazio (the governmental unit in charge of Rome’s waste disposal) has been trying to find a new site. In September 2011, just two months before it fell from power, the Berlusconi government appointed Prefect Giuseppe Pecoraro to be Extraordinary Commissioner of Waste Disposal for Lazio with special powers to confront the emergency situation. In October 2011 Pecoraro announced a plan to install a new 400-acre garbage dump at a locality called Corcolle, which is less than one mile from the site of Hadrian’s Villa. Needless to say, the prospect of bringing Rome’s daily garbage to the very doorstep of a precious World Heritage Site was greeted with alarm and opposition. The Italian Ministry of Culture and the Province of Rome are on record in opposition to the proposal as are various nearby cities (including Tivoli) and citizen groups.
“GARBAGE EMERGENCY, A ‘YES’ OF THE TECHNICAL EXPERTS PUTS CORCOLLE AT RISK
by Maruro Evangelisti
“March 17, 2012, ROME – Among the documents which the collaborators of the Commissioner for Waste Disposal, Prefect Giuseppe Pecoraro, are examining in meetings with the Director of the Ministry of the Environment and representatives of the Province of Rome, City of Rome, and Region of Lazio, there is a site plan. It shows the area of Corcolle (selected to be one of the new temporary garbage dumps) at a distance of 2 kilometers from Hadrian’s Villa. The land parcel belongs to the corporation Pozzalana srl.
“In another site plan the boundaries of the UNESCO site of Hadrian’s Villa are only 1200 meters away. And in the dossier of the staff of the Commissioner there is also a document dated 15 June 2010 from the Archaeological Superintendency of Rome in response to a request to install a rubbish dump in which the Superintendency affirms that the land is ‘archaeologically sterile.’ And the Superintendency expressed its approval.
“In contrast, in the course of the meeting of specialists which blocked the choice of Corcolle [i.e., several days ago--BF], the Cultural Ministry vetoed the choice of Corcolle.
“In a nutshell: for Pecoraro the candidacy of Corcolle has NOT been discarded. It is the only site among the seven under consideration that permits creation of the garbage dump by this autumn, if Corrado Clini, Minister of the Environment, gives his approval.
“Let’s be clear: suppose that on March 22, 2012 the government says ‘yes’ to the areas chosen by Pecoraro (Corcolle and Riano). For Corcolle there is already a preliminary plan of action. Land expropriation and a call for bids will be set in motion. The winner will have to present a final proposal. An environmental impact report will have to be filed.
“Before October-November 2012 the new garbage dump [at Corcolle- Hadrian's Villa--BF] will not be ready. For that to happen, an additional month will be needed. If the options of Corcolle and Riano are rejected and if a different site is chosen, then the whole process starts over from the beginning and much more time is needed [to get Rome's new garbage dump up and running]. In that case, even an extension until December 2012 of the use of the current dump site at Malagrotta would not be enough.”
Time is short. You can help by signing an internationally sponsored online petition appealing to Pecoraro and Clini to abandon the ill-conceived plan to put a huge garbage dump so close to Hadrian’s Villa. Over 3,600 people from all over the world have already added their names, including such notable figures as Architect Richard Meier; Andrew Wallace-Hadrill, former Director of the British School in Rome and Master of Sydney Sussex College, Cambridge; and Salvatore Settis, former Director of the Getty Research Center and Scuola Normale Superiore in Pisa. Sign today.
Photo from Wikipedia.
What do you have planned for this summer?
If you join one of the AIRC study abroad programs, you could be reading messages etched in ancient stone and speaking like a Roman emperor. Or washing dishes that have been sitting around for thousands of years. You could report and document (photography/film) limited access archeological sites. And you could even go to gladiator school.
AIRC has a very exciting summer lined up, (more…)
When we haven’t been digging, teaching and trying to help promote cultural heritage, we’ve joined forces with International Association for Classical Archaeology (AIAC) to co-produce a series of short documentary videos about ongoing archaeological excavations and research projects in Italy. Our objective is to enrich AIAC’s Fasti Online web-based database of archaeological work in Italy since 2000 with well-produced, great looking and never-boring educational videos taking you into on-going excavations.
Take a peak at our recent debuts– Gabii Project, Sant’Omobono, the Church of St. Mark on the Via Ardeatina and Pompeii Archaeological Research Project: Porta Stabia– available on AIRC’s YouTube channel WEDIGROME and on our Romanculture videos page.
Today, Dr. Arya and Dr. Prieto proudly participated in the Italian Ministry of Culture MIBAC press conference acknowledging the official launch of the English-language version of the General Directorate of Management and Promotion of Cultural Heritage’s website. For the past year, AIRC has been collaborating with MiBAC on various projects, including providing expert translation skills. AIRC’s Darius and Alberto attended the opening session of the conference, in which the General Directorate kindly acknowldedged AIRC’s participation.