Though this past week was only four days to accommodate a (well-deserved) three-day weekend, we jumped into work, comfortable with our designated roles and team coordination. We also welcomed a new team member, Julia Elsey, AIRC archaeology field school veteran and an unofficial Finds Coordinator. As an artifact intern, I work with Julia to clean, document, and organize our finds from this and the past dig seasons. Julia provided our team with a valuable lesson on marble types, (more…)
Looking back at our Unlisted 2013 conference, I am proud to say that this year’s conference was our most successful to date. As in years past, the Unlisted conference brought together academics and professionals in a forum to discuss cultural heritage, with this year’s theme “Conversation for Conservation”, i.e. the necessary dialogue in social media for cultural heritage and ongoing awareness.
Over the past few years, we have chosen to accompany and complement our mission to promote cultural heritage by investing time in social media and video production, as we feel these contemporary forums are integral to education, promotion and sharing messages. Our objective for Unlisted since the beginning was never to be a strictly academic conference for archaeologists and conservators but rather more out of the box and on the fringe of academia in the hopes of inspiring ideas and opening eyes/ears to a different kind of dialogue, and likewise expand the audience.
With that in mind, this year, we chose to investigate the overlap of cultural heritage and new media in many different and sometimes unfamiliar areas, leading us to encapsulate our (AIRC and Unlisted participants) interests, questions and potential solutions. This year’s conference was shorter than in prior years- a three-hour program that included presentations and roundtable with a filmmaker, a journalist, two photographers, two social media strategists, along with the AIRC itself.
Unlisted 2013 was like viewing cultural heritage through a contemporary and technological kaleidoscope. Journalist Stephan Faris related our theme to journalism and reportage, while MiBAC’s Giuseppe Ariano discussed the Ministry of Culture’s growing voice and online engagement. Photographer Sam Horine talked about instantaneous communication via photography and Instagram, citing his work during Hurricane Sandy. Photographer Nicolee Drake also discussed Instagram and the use of imagery in promoting cultural heritage. Erica Firpo presented AIRC’s social media progress and its focused methods for cultural heritage, whereas I discussed AIRC work in video and photography projects which include Fasti online (Palatine dig), Digging History (AIRC initiavie), MiBAC eduation, and Comune di Roma. Rose Bonello spoke about her success in engaging communities, finding corporate sponsorship and using technology as an aggregator fueled by passionate storytelling. Most poignant was Brent Huffman as he relayed the power of video film documentary to halt or at least for now retard the destruction of a precious heritage site in Afghanistan.
This year, Unlisted 2013 not only crossed genres – archaeology, film making and social media- but our dialogue also traversed a variety of platforms outside of the physicality of the conference hall. Thanks to Marconi University for live streaming, we had conversations via blogs and twitter, and even saw a brief Vine post [username: ThePlanet]. And in the days following the conference, Albert, Sam, Erica, Nicolee and I traveled around Rome and Naples to put this conversation into action through social media outlets and more specifically the hashtag #culturalheritage. We didn’t invent the tag- cultural heritage has been around forever, but we encourage you to use it when you tweet, tumblr, gram and Vine. Take a look out posts, feeds, galleries– yes, there is a lot going on but we can make it good.
We are very excited to announce the theme of our annual Unlisted Conference, “Cultural Heritage in Digital Media: Conversation for Conservation, Sustaining Global Storytelling Online”. As in our past Unlisted conferences, guest presenters include members from mainstream media and Italian heritage representatives and a dynamic group of “outsiders” who will discuss the role of social media in cultural heritage. We are proud to host two established photographers that are successfully using the Instagram platform- Sam Horine and Nicolee Drake. Along side of them will be journalist Stephan Faris and filmmaker Brent Huffman who attracted global attention through his heritage video The Buddhas of Mes Aynak, a threatened site in Afganistan. There will be an online screening of his film prior to the conference start.
AIRC will talk about our own Kickstarter video project, ongoing educational filming in Rome (sites, excavations in cooperation with several local entities), and social action platform ipetition for the endangered site of the “gladiator tomb.” There will also be a number of people speaking that have found success in multiple stakeholder collaborations, including Nexus Mundi Foundation, an organization that has created a roadmap to involve corporate sponsorship, universities, and local communities.
Our objective in bringing this diverse group together is to foster dialogue in the various methods of promoting of cultural heritage, whether directly related to archaeological heritage or not.
PLEASE JOIN US
In Rome: Join us April 18, 4 pm at the Sala Vittoria Colonna on Via Colonna, 11 of Marconi University. The conference will also be simultaneously translated in English and Italian.
Elsewhere: live stream, April 18 4pm Rome (10am EST).
For most people, the term “archaeologist” conjures up the image of a stubbly man wearing a button-down shirt with pockets, chinos, a leather jacket, a wide-brimmed hat, a saddle-bag, a bull-whip, and a holster with revolver.
I’ve been working as a field archaeologist in Italy for going on 20 years now, and my appearance has never corresponded to that image—except for the stubble, which I proudly wear most days, and not out of vanity, but because my facial hair grows very slowly. I confess to having a broad-brimmed hat, a gag gift from a friend, but it’s too heavy to wear in the Mediterranean heat. Forget about a leather jacket. The pistol and bull-whip, as instruments for maintaining discipline among the crew, have been replaced by the threat of a low grade and/or no letter of recommendation for grad school.
What does a typical contemporary field archaeologist working under the Mediterranean summer sun look like? My outfit, which is pretty typical, includes:
- A slightly tattered polo shirt, symbol of my tortured relationship with bourgeois social conventions, which I respect and despise simultaneously (an attitude I call “archaeo chic”)
- Cargo pants, which allow me to carry truly ridiculous amounts of stuff on my person
- Sandals, which keep my feet from smelling any worse than they really need to
- Reinforced work boots, which keep my toes from getting any more crushed than they really need to be
- A backpack, symbol of my lifelong dedication to scholarly pursuits (or my inability to grow up and get a real job, depending on one’s point of view)
Curious about the cargos?
- Loose change for buying coffee during the day (I don’t make brilliant discoveries without caffeine)
- Chewing gum with xylitol (I don’t make brilliant discoveries when distracted by food particles in my mouth or bad breath)
- A packet of heavy-duty tissues (I don’t make brilliant discoveries with a stuffed up nose)
- Polarized Ray-Ban sunglasses (I don’t make brilliant discoveries in blinding sunlight)
- The key to the lock on the equipment shed (no one makes brilliant discoveries—or any discoveries, period—without access to tools)
- Two cell phones: an iPhone 3GS that keeps me connected to the world (and my sanity), and a bare-bones model that keeps me connected to colleagues and students (and rings continuously…)
- A mini Swiss Army Knife, for defense against irate colleagues and students
Double-strapping the backpack:
- Clipboard with pen
- Water bottle
- Baseball cap
- Cut-proof work gloves
- Reserve pen
- Bottle of non-aspirin painkillers
- Asthma inhaler
- Hand-sanitizing lotion
- Reserve packet of heavy-duty tissues
- Digital camera for capturing what used to be known as “Kodak moments”
- Pocket flashlight for exploring the many underground spaces of Ostia Antica
Possible addition to next year’s gear list: a hip-flask. I suspect that I might make more brilliant discoveries with one. At the least, I won’t notice the phone ringing so much…
Happy New Year! 2013 has already started to ring in fierce! With forty-eight hours left in our Kickstarter campaign “Digging History”, we are proud to share the news that we have 63 backers and have surpassed our target goal. In fact, we are more than pleased (does “jumping up and down” give you a good idea?) with the amount of support we have had over the past four weeks- donations from every level and inspiring group of people spreading the word about our Kickstarter campaign on the streets and through the airwaves. Reaching our goal of $10,000 in three weeks, and then surpassing it (we have now raised over $12,000), is a wonderful feeling! Our feeling is that making history happens by the community, and as we move forward to outlining and organizing the production of Digging History, we look forward to acknowledging you- our supporters and donors.
What comes next? Well, before we can really roll up our sleeves, we have a couple of days left to continue to raise funds. We are pushing hard and reaching out (and asking readers those of you who have already donated) to do the same. More funding will allow us to produce more (and that’s the true goal), to create a fun, accessible hub online that will truly serve to excite and teach K-12, colllege, professional, and the public at large about Rome. Along with donating, another way to support our projects is also by spreading the word about what we do– in particular, our ipetition: Save the Gladiator Tomb— the quick update is that we have over 3000 signatures as we steadfastly approach our goal of 5000. Please keep get your friends, friends of friends and acquaintances to sign. Thank you to the following for their great mentions of these two projects: Katie Parla of Parla Food, Unamericanaaroma.com, Italiannotebook.com, CNN and Ben Wedeman, Fathom Away and Russell Crowe.
~Darius Arya, Executive Director
Reblogged from Executive Director Darius Arya’s blog DariusAryaDigs:
Please join me in voicing your concern for saving the Gladiator’s Tomb, a unique cultural heritage site that runs the risk of being reburied permanently for lack of funding. Together with the AIRC, I am hoping to get 5,000 signatures on the iPetition to save the Gladiator’s Tomb.
In 2008, on the Via Flaminia in the northern part of contemporary Rome, archaeologist found an impressive marble mausoleum, among other noteworthy tombs, along a well-preserved section of ancient road. The press was quick to call this particular tomb “Tomb of the Gladiator” since the tomb itself was comissioned by and for Marcus Nonius Macrinus, an prominent general under the reign of Marcus Aurelius. Macrinus’ life was paralleled in the Oscar-winning film Gladiator (2000, Ridley Scott) with the general-then-gladiator character Maximus magnificently played by Russell Crowe. Upon its discovery and nickname, the world responded enthusiastically because of its relationship with the larger-than-life Maximus, who represented so much of Rome and created such enthusiasm for ancient Roman culture, as well as the overwhelmingly important historic, architectural, and epigraphical qualities of the site itself.
Over the past decade and a half of living and working in Rome, I have been fortunate to visit the site on numerous occasions, and I am constantly struck by the enormity of the site-13,000 square meters in area, almost three American football fields. It is beautiful– both historically and physically. I think anyone that comes to the site cannot help but have an immediate connection to the past. I am also in awe of the amount of mud that buried site thus preserving it (45 feet in height)- it gives you an idea of both what the archaeologists had to overcome but also how much lucky they were to even find it.
The superintendency’s recent (and almost abrupt) decision to rebury the site for preservation is laudable in that they want to preserve the site. However, the historical importance of the site merits further attention and excavation, not simply covering up. We have too much to lose here. If we have to pick and choose, this is one worth fighting for. Please join me in signing and sharing this iPetition now.
“What a city is for its own limits and territory, today Rome is for the inhabited Earth, as though it had proclaimed the common homeland of the whole world.” —from Eulogy of Rome by the Greek orator Aelius Aristides
Take a moment to imagine what it must have been like to live in a context in which one city dominated the world, as Aristides says, “under the rule of a single man . . . and everyone united as if in a common forum, with each man receiving that which suits him.” The sheer scope of such an existence is mind-boggling. Nothing comes close to it in modern-day terms. The Roman Empire stands alone in its depth and breadth.
And so begins “Caput Mundi: a city between domination and integration,” exhibition at Rome’s Colosseum. Caput Mundi elucidates the balancing act that the Empire faced by both conquering and eventually integrating those it came to dominate. A precarious endeavor where the aggressive actions of the Empire perhaps produced civilization’s first and quintessential “melting pot.” The Roman Empire mixed and matched various peoples (Latins, Samnites, Etruscans, Ligurians, Greeks) while also offering up a unique Roman culture, one that the Romans viewed as both encompassing, yet superior, to all others.
The exhibition boasts an impressive and carefully chosen selection of works from various museums both in Italy and abroad. The artifacts on display, like the bronze sentatoconsultum on the Bacchanalia, (an inscription of a law passed by the Roman senate that outlawed the Bacchanalia), serve to highlight the stark contrasts among opposing influences during the time of the Roman Empire: the intensity of its wars and conquests, the difficulties inherent in its diversity and wide-ranging geographic/cultural scope, and the complexity of its political and social make-up.
Though my academic background may not be strictly classics, I appreciated this exhibit for how it plainly revealed, both in words and artifacts, the complexities inherent both in governing and managing day-to-day affairs in such a unique political and social environment. As I read through the historical descriptions and admired the works of art dating back thousands of years, I continually found myself making ties and connections with modern-day Rome.
So much of ancient Rome continues on in today’s chaotic city. The tenacious, aggressive personality is equally complemented by the creative and light-hearted spirit of the Romans and their approach to daily life in Rome. The arrogance and superiority shown by a culture with such history – clearly revealed in this exhibition- were felt even at the time it was being made. While Rome continues to embrace people from all parts of the globe, it is still facing the internal conflict of acceptance versus dominance.
Caput Mundi runs through March 10, 2013- perfect timing.
~Shelley Ruelle, is AIRC Director of Programming. When we want to know what’s going on in Rome, we ask her. shelley.ruelle[at]romanculture.org
Photo above by Shelley Ruelle: Maximinus Thrax, the “Thracian” AD 235-238, 27th emperor of the Roman Empire and the first to have never actually set foot in Rome