- Count the buckets: When brushing away a mound of dirt with the equivalent of a glorified toothbrush and an oversized spork, it can be discouraging to look at your area after several hours of work and feel you haven’t made a dint in it. In order to prevent dismay, learn to count the buckets of dirt that you fill instead. Nothing says progress more than being able to climb up a pile of dirt and say, “Look, Ma! I spent 5 weeks moving all this dirt from over there to over here!”
- Remember all your hard work will eventually pay off* : Excavation needs to be a slow process
Though this past week was only four days to accommodate a (well-deserved) three-day weekend, we jumped into work, comfortable with our designated roles and team coordination. We also welcomed a new team member, Julia Elsey, AIRC archaeology field school veteran and an unofficial Finds Coordinator. As an artifact intern, I work with Julia to clean, document, and organize our finds from this and the past dig seasons. Julia provided our team with a valuable lesson on marble types, (more…)
Shortly before I left to study abroad here in Rome, I found myself having to constantly answer the same question over and over from my friends and family in the States: “Why are you going to Rome?” And then, all the rest: “Do you know anyone there?” “But it’s so chaotic!” “Do you speak the language?” The idea of going abroad to study in Rome can throw people into a sort of tailspin with its overwhelming mass of past and present, big and small. Loud, louder, and loudest.
Rome is a city that draws people in from all over the world most likely for its treasure trove of charming contradictions: ancient history and contemporary life, loud streets and quiet churches, urban chaos and green parks, and espresso-fueled days followed by afternoon naps and four-hour Sunday lunches. And it is a one-of-a-kind outdoor and living museum that is irresistible– whether for its amazing ancient history and cultural heritage, or its an intangible quality of life here where you are always offered to try just one more flavor of their gelato or stay just a few minutes longer to chat over your cappuccino at the bar. It is that very je ne sais quoi that makes those of us who come for a week, a summer and a semester want to stay a life time.
Fifteen non-stop weeks in Rome. Living in the city, making each neighborhood your classroom while studying with faculty at the top of their field who also eat, breathe and live what they teach ~these are what help to define our AIRC semester abroad program. And then Rome, the city eternal, colors and highlights the rest quite easily. Think of Rome as the background and stage for our program, which caters courses in history, art history, classics, communications and journalism, among others. In fact, long ago, a professor once told me that living in Rome is like being in a play and that the moment you leave your house, you step out onto the stage and take part in a never-ending act.
Are you ready for your role?
[Reconstructed imperial era tomb at the Museo Nazionale (Baths of Diocletian). Photo by Prof. Morel]
Every year, we eagerly await the announcement for Settimana della Cultura, Culture Week, a ten-day span which we’ve relished over the past several years as an opportunity not just to visit museums for free, but visit as many museums as possible. This year, news was sent out early and unfortunately it was not good. In an effort to cut costs and save money the Italian Ministry of Culture, MiBAC, has cancelled culture week.
Canceled? How could they do that? It’s easy. MiBAC’s Anna Maria Buzzi commented that “we [MiBAC] can no longer permit ourselves to renounce entry collections during those 7 days in spring, one of the periods of the year when more visitors come [to Italy]. We will, however, maintain open museums with free entry the last Sunday of each month to Italian families in true financial difficulty.”
For those looking to save money while visiting museums and cultural sites, please make sure to look into state and province-sponsored cards such as Roma Pass, a 3-day ticket which includes free entrance into two participating museums or archaeological sites, discounted entrance to subsequent sites and free public transport during the 72 hour time period. Cost: 30 euro. And our favorite Archeologia Card, a 7-day ticket which includes free [single] entrance to Colosseo, Palatino/For Romano, National Museums: Palazzo Altemps, Palazzo Massimo, Crypta Balbi, Terme di Diocleziano, Baths of Caracalla, Cecilia Metella and Villa dei Quintilli. Cost: 27.50 euro. Or the shorter term 4 Musei, a three-day ticket for single entry to Palazzo Altemps, Palazzo Massimo, Crypta Balbi and Terme di Diocleziano. Cost: 6.50 euro.
AIRC is pleased to announce the development of its partnership with California State University, Fresno (Fresno State), as official school of record for all academic program offerings. University academic credit for AIRC programs will now be offered by Fresno State. That includes our upcoming 15-week semester program:
- Fall 2013 Signature Semester Program September 2-December 12, 2013
as well as this summer’s program offerings:
- Living Latin, Living History A unique program in colloquial, spoken Latin language with Professor Nancy Llewellyn
- Layers of Rome, Track 1 History and Art History A comprehensive overview of the ancient Roman world
- Layers of Rome, Track 2 Media Studies A solid basis in ancient Roman studies for producing a real-world media project
- Archaeological Field School An intense hands-on excavation program, now in its 11th year
The partnership, which is administered through Fresno State’s Division of Continuing and Global Education in partnership with the College of Arts and Humanities, support’s the University’s internationalization vision as articulated in its Strategic Plan for Excellence. Russel Statham, Manager for Administration and Global Operations, said, “We are excited about this new partnership and are pleased to be able to expand Fresno State’s role in promoting global education. Our alignment with AIRC will offer hundreds of students the opportunity to receive academic credit for world-class educational programs in Rome, and we are pleased to be a leader supporting international education opportunities.”
AIRC is proud to have Fresno State as its official partner in offering university academic credit for AIRC’s high-quality, one-of-a-kind academic programs in Rome, and is looking forward to the opportunity to now enroll a much wider range of students who require college credit for their academic experience abroad.
Happy New Year! 2013 has already started to ring in fierce! With forty-eight hours left in our Kickstarter campaign “Digging History”, we are proud to share the news that we have 63 backers and have surpassed our target goal. In fact, we are more than pleased (does “jumping up and down” give you a good idea?) with the amount of support we have had over the past four weeks- donations from every level and inspiring group of people spreading the word about our Kickstarter campaign on the streets and through the airwaves. Reaching our goal of $10,000 in three weeks, and then surpassing it (we have now raised over $12,000), is a wonderful feeling! Our feeling is that making history happens by the community, and as we move forward to outlining and organizing the production of Digging History, we look forward to acknowledging you- our supporters and donors.
What comes next? Well, before we can really roll up our sleeves, we have a couple of days left to continue to raise funds. We are pushing hard and reaching out (and asking readers those of you who have already donated) to do the same. More funding will allow us to produce more (and that’s the true goal), to create a fun, accessible hub online that will truly serve to excite and teach K-12, colllege, professional, and the public at large about Rome. Along with donating, another way to support our projects is also by spreading the word about what we do– in particular, our ipetition: Save the Gladiator Tomb— the quick update is that we have over 3000 signatures as we steadfastly approach our goal of 5000. Please keep get your friends, friends of friends and acquaintances to sign. Thank you to the following for their great mentions of these two projects: Katie Parla of Parla Food, Unamericanaaroma.com, Italiannotebook.com, CNN and Ben Wedeman, Fathom Away and Russell Crowe.
~Darius Arya, Executive Director
“What a city is for its own limits and territory, today Rome is for the inhabited Earth, as though it had proclaimed the common homeland of the whole world.” —from Eulogy of Rome by the Greek orator Aelius Aristides
Take a moment to imagine what it must have been like to live in a context in which one city dominated the world, as Aristides says, “under the rule of a single man . . . and everyone united as if in a common forum, with each man receiving that which suits him.” The sheer scope of such an existence is mind-boggling. Nothing comes close to it in modern-day terms. The Roman Empire stands alone in its depth and breadth.
And so begins “Caput Mundi: a city between domination and integration,” exhibition at Rome’s Colosseum. Caput Mundi elucidates the balancing act that the Empire faced by both conquering and eventually integrating those it came to dominate. A precarious endeavor where the aggressive actions of the Empire perhaps produced civilization’s first and quintessential “melting pot.” The Roman Empire mixed and matched various peoples (Latins, Samnites, Etruscans, Ligurians, Greeks) while also offering up a unique Roman culture, one that the Romans viewed as both encompassing, yet superior, to all others.
The exhibition boasts an impressive and carefully chosen selection of works from various museums both in Italy and abroad. The artifacts on display, like the bronze sentatoconsultum on the Bacchanalia, (an inscription of a law passed by the Roman senate that outlawed the Bacchanalia), serve to highlight the stark contrasts among opposing influences during the time of the Roman Empire: the intensity of its wars and conquests, the difficulties inherent in its diversity and wide-ranging geographic/cultural scope, and the complexity of its political and social make-up.
Though my academic background may not be strictly classics, I appreciated this exhibit for how it plainly revealed, both in words and artifacts, the complexities inherent both in governing and managing day-to-day affairs in such a unique political and social environment. As I read through the historical descriptions and admired the works of art dating back thousands of years, I continually found myself making ties and connections with modern-day Rome.
So much of ancient Rome continues on in today’s chaotic city. The tenacious, aggressive personality is equally complemented by the creative and light-hearted spirit of the Romans and their approach to daily life in Rome. The arrogance and superiority shown by a culture with such history – clearly revealed in this exhibition- were felt even at the time it was being made. While Rome continues to embrace people from all parts of the globe, it is still facing the internal conflict of acceptance versus dominance.
Caput Mundi runs through March 10, 2013- perfect timing.
~Shelley Ruelle, is AIRC Director of Programming. When we want to know what’s going on in Rome, we ask her. shelley.ruelle[at]romanculture.org
Photo above by Shelley Ruelle: Maximinus Thrax, the “Thracian” AD 235-238, 27th emperor of the Roman Empire and the first to have never actually set foot in Rome