promoting cultural heritage and conservation

Italy

Hidden Jewels: Roman Forum

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One of the great things about living in Rome is that you frequently discover something new in a nook or cranny of the city that you think you know inside and out. A good example is the Roman Forum, a place I’ve visited dozens of times over the past 20 years. I first started visiting the Forum before the fencing was erected around all of the monuments. You could walk all over the Basilica Julia, pound the Augustan pavement of the square, and admire the blobs of melted bronze on the floor of the Basilica Aemilia, possibly the remains of coins knocked to the ground during Alaric’s sack of Rome in AD 410. There was also that golden period, between 1998 and 2008, when the Forum was open to the public for free all day long, acting as just another way to get from Via dei Fori Imperiali to the Colosseum valley.

So I thought I’d seen everything, including—thanks to my position at AIRC—many special structures and ongoing excavations closed to the public. A couple of weeks ago I was surprised to learn, while reading a recent book about the Forum, that the church of San Lorenzo in Miranda, which occupies the Temple of the Deified Antoninus and Faustina, is open to the public, but for only two hours a week (Thursdays 9-11). After kicking myself for never having thought to investigate that possibility, I visited the church on the next Thursday and was received by a very formal but friendly gentleman from a bygone era who gave me a rapid tour of the artistic treasures housed in the church (as well as an earful about its increasing isolation in the archaeological zone) and then turned me loose at the old doorway facing out onto the Forum, now a balcony floating about 25 feet above the ancient levels. Although the view is obscured by the columns of the porch, the experience is nevertheless a feast for the eyes, offering a fresh and fascinating perspective on the temple itself, the Forum, and the Palatine hill. In Rome, fortune really does favor the bold. And the curious.

~Hidden Jewels is a monthly series by Albert Prieto, AIRC Associate Director of Archaeology, as he investigates the hidden secrets of Rome that are right in front of us. albert[at]romanculture.org

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Mortar and Murder: Looking Back at the 2013 Dig #archaeology

As we seek relief from Rome’s sweltering triple-digit (F) temperatures, it’s a good time to look back at six weeks of fun, hard work, and intensive learning. Here are a few things that struck me, in my capacity as Project Coordinator, about the experience.

Low injury rate. During the course of a typical season we see a handful of cuts or scrapes that require on-site medical attention, as well as a lot of first-week blisters that exhaust the supply of band-aids in no time. This year we had only one cut, thankfully, and not even one band-aid was used.

Plot twists. We started out assuming that the Roman mausoleum in Area B was, at some point after the end of antiquity, transformed into a baptistery, which was subsequently re-worked to accommodate six tombs in the Middle Ages; two bodies were duly found in one of these tombs in the fall exploratory campaign. In the summer not even one additional burial was found in the tombs, while a series of burials was revealed just below the ground surface around the edge of the mausoleum. Proof that, in archaeology, assumptions are made to be modified and abandoned.

Gastronomic adventures. This year everyone looked forward to lunch, which was prepared and served at La Fraschetta del Borgo in Ostia Antica, a stone’s throw from the site. Solideo and the staff served up 23 tasty and abundant lunches, catering to all dietary needs, including prosciutto with cantaloupe, cold cuts and cheese, rigatoni all’ammatriciana, frittata (omelette), pizza, sausage with chicory, and chicken cacciatore with potatoes. The daily dose of gelato was especially popular.

Language lessons. Every edition of AIRC’s Summer Archaeological Field School involves bilingual staff, so you can always hear both Italian and English spoken on-site. This year’s Babel had a particular feel to it. There was the lilting British accent of our Welsh topography intern, Tim Penn. There was archaeologist Larisa (“Larry”) Criscenti’s elegant and studied English. There were the participants’ gung-ho attempts to learn Italian from field director Michele Raddi’s colorful diction. My favorite moment was the attempt to explain to our Italian colleagues the subtle acoustic distinction between “mortar” and “murder.” Two very different concepts, but both very useful in a Roman archaeology field school.
– A.P.

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Life in the Trenches: Week 5 at the Dig

The last week of excavation at Parco dei Ravennati was a bipolar mix of calm instruction and frenzied activity: though it was declared that we were officially finished with the actual digging, many tasks still remained to be done. After a lecture on different types of pottery and marble, we assisted Julia Elsey in the monumental task of cleaning, labeling, and recording every shard we had found this past season. Additionally, the guest lecturer Alessandra Ghelli came to give an enlightening talk on a field we all have little experience with – Marine Archaeology. (more…)


The Next Great Travel Writers Contest by @goabroad

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Can’t stop talking about your study abroad experience? Put it in writing for the GoAbroad.com”Next Great Travel Writers Contest” and show your friends your words are worth a lot.


Ostia Antica Press Conference/Invito Stampa

MINISTERO DEI BENI E DELLE ATTIVITA’ CULTURALI E DEL TURISMO SOPRINTENDENZA SPECIALE PER I BENI ARCHEOLOGICI DI ROMA

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La Soprintendenza speciale per i beni archeologici di Roma, con l’American Institute for Roman Culture, presenta i risultati delle più recenti ricerche effettuate nel Suburbium di Ostia antica. L’appuntamento con gli archeologi e con gli studenti di archeologia di 14 università del Nord America è fissato per venerdì 19, alle ore 10.00, all’angolo fra via dei Romagnoli e via della Stazione di Ostia antica (v. mappa).

Please join the Superintendency, along with the American Institute for Roman Culture, in the presentation of the findings of the most recent research of the Suburbium of Ostia Antica on Friday July 19 at 10 am. The conference will be held at our dig Parco dei Ravennati in Ostia Antica, via dei Romagnoli and via della Stazione di Ostia antica, see maps below. (more…)


Life in the Trenches: Week 4, 11 Things I’ve learned on the Dig

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  1. Count the buckets: When brushing away a mound of dirt with the equivalent of a glorified toothbrush and an oversized spork, it can be discouraging to look at your area after several hours of work and feel you haven’t made a dint in it.  In order to prevent dismay, learn to count the buckets of dirt that you fill instead.  Nothing says progress more than being able to climb up a pile of dirt and say, “Look, Ma!  I spent 5 weeks moving all this dirt from over there to over here!”
  2.  Remember all your hard work will eventually pay off* : Excavation needs to be a slow process

    (more…)


Life in the Trenches: Week 3 at the Dig

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Though this past week was only four days to accommodate a (well-deserved) three-day weekend, we jumped into work, comfortable with our designated roles and team coordination. We also welcomed a new team member, Julia Elsey, AIRC archaeology field school veteran and an unofficial Finds Coordinator. As an artifact intern, I work with Julia to clean, document, and organize our finds from this and the past dig seasons. Julia provided our team with a valuable lesson on marble types, (more…)


Life in the Trenches: Week 2 at the dig

Week 2 at Parco dei Ravennati takes us behind the scenes with Katherine Livingston, University of Minnesota (Twin Cities), Near Eastern and Mediterranean Archaeology major:

When people hear that I am in Rome for an archaeological dig, many comments referencing Lara Croft or Indiana Jones pop up. The adventurous and even dangerous connotation that archaeology has developed in the media is generally fictitious. So when I heard Dr. Michele Raddi refer to some of his teachings as “Survival Archaeology” during workshops I let out a small scoff. But over this week I’ve seen that while it may not be risking life or death, surviving means adapting and cooperating for the ensured integrity and success of an archeological site. (more…)


Life in the Trenches: Week 1 at the Dig

Welcome to the Parco dei Ravennati excavation in Ostia Antica.  There is nothing like being on site at an excavation, and nothing better than having hands on reportage of the dig itself.  Five participants have volunteered to contribute a blog post about what they are doing at Parco dei Ravennati.  From now through July 21, we will feature weekly posts from the point of view of actual dig participants as they get down and dirty in Ostia Antica. Our first post is from Tara Giangrande, an art history and anthropology student from Swarthmore College.
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After a week of touring around all seven hills of ancient Rome, the students of this summer’s AIRC archaeological field school began work at Parco dei Ravennati in Ostia Antica.  While a few of us had prior experience with excavation, it was an entirely new adventure (more…)


Tips to Surviving a Roman Summer

It’s a strange phenomenon that always seems to baffle the locals: the highest tourist season seems to be in the sweltering depths of July and August, when the locals, at least the lucky ones, desperately escape the city for the seaside. But so it goes: with many non-locals able to take their vacation only during the hottest months of Rome weather, even as the sun blazes on, the show must go on! You can get through a trip during the “Estate Romana” too—here’s what to expect and how to make it through!

Keeping Your Cool

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Lots of great suggestions abound on the web as to the best ways to keep cool. Last year we listed our top 5 tips for cooling off here. There are the usual suspects (gelato, cold water running from the street fountains throughout the city) as well as a lesser-known delight: grattachecca. But how about going high-tech for your cooling needs? You can download an app called “Water Finder in Rome” for your iPhone that shows where to find the “nasoni” water fountains, (more…)


Digging the Dig before we dig, Ostia Antica 2013

For those of you with visions of Indiana Jones and Laura Croft frolicking through layer upon layer of antiquities, here’s a glimpse at what our excavation looks like immediately before the students start digging into Ostia Antica.

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Rome around the world #romeawayfromrome

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Lincoln Center, New York. Photo by @Introvertmind

You don’t have to cross the Atlantic,  meander your way through Europe nor head westward on the Orient Express to catch a glimpse of Rome.  The empire’s inheritance to the world can be seen in modern and contemporary architecture in almost every town and city across the globe. We are always on the look out for imperial garland detail on a window,  a forum in a shopping mall or a full-fledged coliseum/library/sports complex.  Thank you for helping us find some Rome away from Rome wherever you are.  Please keep it up– we are building a great gallery of “Roman” architecture which you can see on Statigr.am.

And thank you, Instagram photographers @Introvertmind, @NYRoamer, @Parisinfourmonths, @saman_mt,  Twitter @bjrich09 and Vine @Moscerina for tagging your photos #romeawayfromrome (more…)


We dig Rome: AIRC on Youtube

We dig Rome and we like sharing it, so in 2009 we created an AIRC account on Youtube:  WeDigRome where we upload AIRC-produced filmettes about our programs (inluding our summer excavation and full-immersion Latin) and our documentary projects such as Fasti Online and upcoming Digging History.

Our latest videos are Unlisted 2013: Conversation for Conservation, our annual cultural heritage conference.  If you were not able to attend the conference, take a look in our recently uploaded videos where we feature each Unlisted2013 speaker.


Call for Photos: Rome away from Rome

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Truth be told, the Roman Empire didn’t fully collapse and disappear. We see traces of classical architecture in our every day life, whether when walking around a sporting arena (hello, Los Angeles Coliseum!) or walking through a residential building entrance with a subtle egg-and-dart decoration. It doesn’t matter where in the world you are, there is always a little reminder of Rome that keeps the city, well, eternal.

With that in mind, we are asking you to show us Rome in your town with a call for photos. New York, Paris, Frankfurt, Seattle, London, Las Vegas, Bala Cynwyd, EUR…. we all know you have a little Rome in you, so show us what you’ve got. Friezes, gardens, markets, facades, rosettes, temples, train stations, and more. Does your Rome outside of Rome fit in with its surroundings or feel just a bit out of place? Is it reminiscent of the Pantheon, the Ara Pacis, the Roman Forum? And please let us know how you feel about it.

Rome away from Rome:Submit photos to info[at]romanculture.org with a description of what it is and where it is located. You can also submit directly to Facebookand Twitter. Make sure to include hashtag #romeawayfromrome, and any other info you’d like to share about the photo, as well as your blog, website, Twitter and other accounts. Upon receiving your photo(s), we will feature them on our blog, Facebook and Twitter. There is no deadline- just an ongoing photo project!

Photo of the New York Public Library by GreatBuildings


Conversations on Unlisted 2013 conference for #culturalheritage

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Looking back at our Unlisted 2013 conference, I am proud to say that this year’s conference was our most successful to date.  As in years past, the Unlisted conference brought together academics and professionals in a forum to discuss cultural heritage, with this year’s theme “Conversation for Conservation”, i.e. the necessary dialogue in social media for cultural heritage and ongoing awareness.

Over the past few years, we have chosen to accompany and complement our mission to promote cultural heritage by investing time in social media and video production, as we feel these contemporary forums are integral to education, promotion and sharing messages.  Our objective for Unlisted since the beginning was never to be a strictly academic conference for archaeologists and conservators but rather more out of the box and on the fringe of academia in the hopes of inspiring ideas and opening eyes/ears to a different kind of dialogue, and likewise expand the audience.

With that in mind, this year, we chose to investigate the overlap of cultural heritage and new media in many different and sometimes unfamiliar areas, leading us to encapsulate our (AIRC and Unlisted participants) interests, questions and potential solutions. This year’s conference was shorter than in prior years- a three-hour program that included presentations and roundtable with a filmmaker, a journalist, two photographers, two social media strategists, along with the AIRC itself.

Unlisted 2013 was like viewing cultural heritage through a contemporary and technological kaleidoscope.  Journalist Stephan Faris related our theme to journalism and reportage, while MiBAC’s Giuseppe Ariano discussed the Ministry of Culture’s growing voice and online engagement.  Photographer Sam Horine talked about instantaneous communication via photography and Instagram, citing his work during Hurricane Sandy. Photographer Nicolee Drake also discussed Instagram and the use of imagery in promoting cultural heritage.  Erica Firpo presented AIRC’s social media progress and its focused methods for cultural heritage, whereas I discussed AIRC work in video and photography projects which include Fasti online (Palatine dig), Digging History (AIRC initiavie), MiBAC eduation, and Comune di Roma.  Rose Bonello spoke about her success in engaging communities, finding corporate sponsorship and using technology as an aggregator fueled by passionate storytelling. Most poignant was Brent Huffman as he relayed the power of video film documentary to halt or at least for now retard the destruction of a precious heritage site in Afghanistan.

This year, Unlisted 2013 not only crossed genres –  archaeology, film making and social media- but our dialogue also traversed a variety of platforms outside of the physicality of the conference hall.  Thanks to Marconi University for live streaming, we had conversations via blogs and twitter, and even saw a brief Vine post [username: ThePlanet].   And in the days following the conference, Albert, Sam, Erica, Nicolee and I traveled around Rome and Naples to put this conversation into action through social media outlets and more specifically the hashtag #culturalheritage.  We didn’t invent the tag- cultural heritage has been around forever, but we encourage you to use it when you tweet, tumblr, gram and Vine.  Take a look out posts, feeds, galleries– yes, there is a lot going on but we can make it good.

~Darius Arya, Executive Director

Darius loves to talk about cultural heritage. You can find him on Twitter and Instagram all the time.

Sam


Conversation for Conservation, Unlisted 2013

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We are very excited to announce the theme of our annual Unlisted Conference, “Cultural Heritage in Digital Media: Conversation for Conservation, Sustaining Global Storytelling Online”. As in our past Unlisted conferences, guest presenters include members from mainstream media and Italian heritage representatives and a dynamic group of “outsiders” who will discuss the role of social media in cultural heritage. We are proud to host two established photographers that are successfully using the Instagram platform- Sam Horine and Nicolee Drake. Along side of them will be journalist Stephan Faris and filmmaker Brent Huffman who attracted global attention through his heritage video The Buddhas of Mes Aynak, a threatened site in Afganistan. There will be an online screening of his film prior to the conference start.

AIRC will talk about our own Kickstarter video project, ongoing educational filming in Rome (sites, excavations in cooperation with several local entities), and social action platform ipetition for the endangered site of the “gladiator tomb.” There will also be a number of people speaking that have found success in multiple stakeholder collaborations, including Nexus Mundi Foundation, an organization that has created a roadmap to involve corporate sponsorship, universities, and local communities.

Our objective in bringing this diverse group together is to foster dialogue in the various methods of promoting of cultural heritage, whether directly related to archaeological heritage or not.
PLEASE JOIN US

In Rome: Join us April 18, 4 pm at the Sala Vittoria Colonna on Via Colonna, 11 of Marconi University. The conference will also be simultaneously translated in English and Italian.

Elsewhere: live stream, April 18 4pm Rome (10am EST).

 


Latin in the 21st Century

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The other day, I took a break from Rome and headed to a beach where I met two young gentlemen with tattoos.  In 2013, it’s not unusual to see tattoos of any kind, but what struck me as interesting is that both were in Latin, and after a quick chit chat, I learned that neither of the decorated had profoundly studied the language, they just liked the weight of it. I liked the fact that they were inadvertently promoting Latin as a living (and party-ing) language.

Latin loving comes in all shapes and forms– whether fans of an esoteric word or phrase or hard core academics who are living Latin to the fullest. Interestingly and on the academic horizon, Latin enrollment worldwide is increasing.   How is this possible in a world that is logarithmically speeding up academically, professionally and socially?  Isn’t the study of Latin a practice of  patience as well, thus contrary to all this techno-social velocity?

Quite the opposite, Latin is about substance in a world that is becoming more and more streamlined and simplified, and to some extent become similar.  Turning to history and the past, many look to the great empires. The Romans continue to exercise a pull on our imagination through the rich, diverse writings preserved in Latin.   We feel we can get under their skin and know their world via Latin.  And we feel we have a better grasp on ours and others by studying Latin.  It’s not by chance that the worlds of Harry Potter and Dan Brown are peppered with Latin.

To extrapolate,  having knowledge of Latin along with the ability to use it in daily life is something unique– whether making light conversation on the beach or spending your entire 24 hour day speaking Latin with colleagues and friends.  Though we don’t promise any tattoos, we do promote an almost 100% immersion in Latin with our summer Living Latin program, led by Professor Nancy Llewellyn.  Nancy loves Latin as much as these two love their tattoos, and probably more.

For more information about our summer Living Latin program, please email info@romanculture.org
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Ostia Antica: The Importance of First Impressions

If you mention Ostia Antica to most anyone, Italian or foreigner, you get only a blank stare and/or a shake of the head. Most modern Romans have never visited it, at least not in their adult lives; in fact, the majority of the roughly 300,000 people who visit the site every year are Italian schoolchildren and foreign tourists. This is a tiny fraction of the nearly five million people who visit the Colosseum every year. Yet there was a time—about 2000 years ago, admittedly—when, if you mentioned the word “Ostia” to anyone who travelled, whether Roman or foreigner, you would get an animated response fueled by mental images of Rome, the greatest metropolis of the ancient world, for which this unpretentious port city was the lifeline to the world. Millions of people from all walks of life embarked and disembarked at Ostia in the approximately 1000 years of its life, from slaves to emperors (Augustus, Claudius, Nero), from merchants to early Christian luminaries (St. Augustine). These people navigated the same streets, drank from the same fountains, and washed in the same bath complexes that we can see today, just 25 minutes by train from downtown Rome.

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I first “landed” at Ostia Antica as a graduate student in the summer of 1998. My initial impression of the site then still corresponds perfectly to its appearance today: a beautiful, sleepy, largely empty park packed with an incredible array of structures that beg to be explored. It’s like having a theme park practically to yourself, except this theme park happens to be the closest experience to the look and feel of ancient Rome available anywhere in the world.

Several things struck me then, as now. Ostia is as big as Pompeii, but it offers a much better visitor experience by virtue of being entirely accessible (whereas most of Pompeii is barricaded to keep visitors away), well-shaded by big pine trees, and much less crowded. The one major disadvantage that I recall was having to leave at lunchtime to forage for food in the Medieval borgo next door, an episode that nevertheless had a silver lining in introducing me to a quaint 1000-year-old town.

The food problem at Ostia Antica was soon remedied by the construction of a pleasant glass-walled cafeteria next to the site museum, which allows the visitor to spend the entire day among the ruins. The visitor experience at Ostia Antica continues to improve gradually with every passing year. Recently a cement staircase and ramp were installed on the decumanus maximus (main east-west road) at the corner of Via dei Molini to smooth the abrupt (and dangerous) drop from the Late Antique to the Republican street level, the mosaics in the Piazzale delle Corporazioni were cleaned, and Wi-Fi was installed in the cafeteria.

But if it’s true that first impressions are the most important ones, then much more needs to be done to allow Ostia Antica to make the sensational first impression every visitor deserves. There are many dirty mosaics and frescoes that need to be cleaned and conserved, collapsing walls that need to be patched up, and trees and plants that need to be cut back more frequently. Many of the informational signs are so old as to be faded or peeling, and there are not enough signs to make up for the lack of a good guidebook in English.

We at the American Institute for Roman Culture are big fans of Ostia Antica, and we’re working hard to improve the visitor experience there through a variety of projects. In 2010 and 2011 we created a series of educational videos about the site that were recently cited by The New York Times as an authoritative source. In 2011 we brought much-needed attention to the site by making it a central theme of our first annual Unlisted conference on sustainable cultural heritage. In 2011 and 2012 we tested an innovative approach to documenting and conserving the standing remains. And in recent years our Summer Archaeological Field School has been based at Ostia Antica.

In 2013 the AIRC field school will be held in the Parco dei Ravennati, a practically unexplored public park located between Ostia Antica and the borgo. This three-year excavation will help finally unite the two areas, blending the romantic beauty of Ostia Antica, the imposing majesty of the castle of pope Julius II, and the relaxing small-town charm of the borgo into an unforgettable first impression. It’s also an opportunity to engage the local community and invite them to invest their tangible and intangible resources in the transformation of Ostia Antica into a world-class archaeological experience on a par with Pompeii and central Rome through preservation, education, and promotion, so that everyone will gain something.

We want your first impression of Ostia Antica to be a great one: please consider joining the excavation project, if a student, or just stopping by to say “hi” as you make your way from the train station to the archaeological site.

– by Albert Prieto, AIRC  Associate Director of Archaeology, albert[at]romanculture.org

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Sedes Vacans: Welcome to the Conclave

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These days, Rome is a crimson (and black) tide of clergy.  And with the voting cardinals all accounted for, we are ready for the papal lock in, officially known as conclave.   Conclave kick off is supposed to be announced tonight at 7pm(Rome), 1 pm EST. Though we may not know what goes on behind closed doors, we have our eyes and ears on several journalists and websites that provide great information about the conclave.  Here is our list of who to follow when the smoke blows:

Twitter:

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How Latin and Twitter helped a Journalist

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They are calling it “the tweet heard around the world”, a less than 140-character message by ANSA journalist Giovanna Chirri that announced to resignation of Pope Benedict XVI. “B16 si ‘e dimesso. Lascia pontificato dal 28 febbraio” [B16 is stepping down. Leaving on February 28.] The news itself is beyond spectacular.  As Papal history fans will note, Pope Benedict XVI will be the first pontiff to voluntarily resign since Gregory XII in 1415. Yes, nearly 600 year ago. And how this news was not just conveyed [Chirri’s social media short-hand] but understood is just as spectacular.  Chirri, part of a papal audience on Monday, February 11, listened to the Pope’s Latin declaration,

Quapropter bene conscius ponderis huius actus plena libertate declaro me ministerio Episcopi Romae, Successoris Sancti Petri, mihi per manus Cardinalium die 19 aprilis MMV commissum renuntiare ita ut a die 28 februarii MMXIII, hora 29, sedes Romae, sedes Sancti Petri vacet et Conclave ad eligendum novum Summum Pontificem ab his quibus competit convocandum esse.” [For this reason, and well aware of the seriousness of this act, with full freedom I declare that I renounce the ministry of Bishop of Rome, Successor of Saint Peter, entrusted to me by the Cardinals on 19 April 2005, in such a way, that as from 28 February 2013, at 20:00 hours, the See of Rome, the See of Saint Peter, will be vacant and a Conclave to elect the new Supreme Pontiff will have to be convoked by those whose competence it is.]

She confirmed with ANSA what she had heard, posted her tweet, and from there, the deluge.  Journalists quickly caught on, and began spreading the news, along with speculation as to why.  Chirri has quickly become a superstar both journalistically and linguistically.   Not only was she the very first to get the scoop on history-making news, she quickly followed up her tweet with another stating “the Pope’s Latin is very easy to understand”, an inadvertent shout-out to supporters of Latin language and its studies in academic institutions across the globe.  Optime, Iohanna!

Thanks to Chirri’s great use of Latin, a once “useless” language proves ever relevant in the real world and Latin’s lasting legacy continues to shine bright and clear.  It is opportune to note that there are many opportunities to study Latin around the world but very few to speak it and we are proud to support Latin and its uses in daily life and contemporary media by studying Latin in a contemporary and living environment.   Rome is the ideal city- as the city is literally covered in Latin inscriptions– and now with the world scrutinizing Vatican Ctiy for the coming months, it is a great opportunity to re-examine Latin’s role in contemporary society.

Pope Benedict XVI announces his resignation [VIDEO and below photo, The Guardian, February 11, 2012]

Click here for Official transcript

Pope Benedict XVI


Culture Week Canceled

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[Reconstructed imperial era tomb at the Museo Nazionale (Baths of Diocletian). Photo by Prof. Morel]

Every year, we eagerly await the announcement for Settimana della Cultura, Culture Week, a ten-day span which we’ve relished over the past several years as an opportunity not just to visit museums for free, but visit as many museums as possible.  This year, news was sent out early and unfortunately it was not good.  In an effort to cut costs and save money the Italian Ministry of Culture, MiBAC, has cancelled culture week.

Canceled? How could they do that?  It’s easy.  MiBAC’s Anna Maria Buzzi commented that “we [MiBAC] can no longer permit ourselves to renounce entry collections during those 7 days in spring,  one of the periods of the year when more visitors come [to Italy]. We will, however, maintain open museums with free entry the last Sunday of each month to Italian families in true financial difficulty.”

For those looking to save money while visiting museums and cultural sites, please make sure to look into state and province-sponsored cards such as Roma Pass,  a 3-day ticket which includes free entrance into two participating museums or archaeological sites, discounted entrance to subsequent sites and free public transport during the 72 hour time period. Cost: 30 euro.  And our favorite Archeologia Card, a 7-day ticket which includes free [single] entrance to Colosseo, Palatino/For Romano, National Museums: Palazzo Altemps, Palazzo Massimo, Crypta Balbi, Terme di Diocleziano, Baths of Caracalla, Cecilia Metella and Villa dei Quintilli. Cost: 27.50 euro.  Or the shorter term 4 Musei, a three-day ticket for single entry to Palazzo Altemps, Palazzo Massimo, Crypta Balbi and Terme di Diocleziano. Cost: 6.50 euro.


Study Abroad with AIRC: Cal State Fresno offers School of Record to AIRC Programs

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AIRC is pleased to announce the development of its partnership with California State University, Fresno (Fresno State), as official school of record for all academic program offerings. University academic credit for AIRC programs will now be offered by Fresno State. That includes our upcoming 15-week semester program:

as well as this summer’s program offerings:

The partnership, which is administered through Fresno State’s Division of Continuing and Global Education in partnership with the College of Arts and Humanities, support’s the University’s internationalization vision as articulated in its Strategic Plan for Excellence. Russel Statham, Manager for Administration and Global Operations, said, “We are excited about this new partnership and are pleased to be able to expand Fresno State’s role in promoting global education. Our alignment with AIRC will offer hundreds of students the opportunity to receive academic credit for world-class educational programs in Rome, and we are pleased to be a leader supporting international education opportunities.”

AIRC is proud to have Fresno State as its official partner in offering university academic credit for AIRC’s high-quality, one-of-a-kind academic programs in Rome, and is looking forward to the opportunity to now enroll a much wider range of students who require college credit for their academic experience abroad.

Now Enrolling! Click here to view AIRC Study Abroad Programs


What’s in an Archaeologist’s bag?

archaeology gear APSo what exactly does a field archaeologist look like?

For most people, the term “archaeologist” conjures up the image of a stubbly man wearing a button-down shirt with pockets, chinos, a leather jacket, a wide-brimmed hat, a saddle-bag, a bull-whip, and a holster with revolver.

I’ve been working as a field archaeologist in Italy for going on 20 years now, and my appearance has never corresponded to that image—except for the stubble, which I proudly wear most days, and not out of vanity, but because my facial hair grows very slowly. I confess to having a broad-brimmed hat, a gag gift from a friend, but it’s too heavy to wear in the Mediterranean heat. Forget about a leather jacket. The pistol and bull-whip, as instruments for maintaining discipline among the crew, have been replaced by the threat of a low grade and/or no letter of recommendation for grad school.

What does a typical contemporary field archaeologist working under the Mediterranean summer sun look like? My outfit, which is pretty typical, includes:

  • A slightly tattered polo shirt, symbol of my tortured relationship with bourgeois social conventions, which I respect and despise simultaneously (an attitude I call “archaeo chic”)
  • Cargo pants, which allow me to carry truly ridiculous amounts of stuff on my person
  • Sandals, which keep my feet from smelling any worse than they really need to
  • Reinforced work boots, which keep my toes from getting any more crushed than they really need to be
  • A backpack, symbol of my lifelong dedication to scholarly pursuits (or my inability to grow up and get a real job, depending on one’s point of view)

Curious about the cargos?

  • Loose change for buying coffee during the day (I don’t make brilliant discoveries without caffeine)
  • Chewing gum with xylitol (I don’t make brilliant discoveries when distracted by food particles in my mouth or bad breath)
  • A packet of heavy-duty tissues (I don’t make brilliant discoveries with a stuffed up nose)
  • Polarized Ray-Ban sunglasses (I don’t make brilliant discoveries in blinding sunlight)
  • The key to the lock on the equipment shed (no one makes brilliant discoveries—or any discoveries, period—without access to tools)
  • Two cell phones: an iPhone 3GS that keeps me connected to the world (and my sanity), and a bare-bones model that keeps me connected to colleagues and students (and rings continuously…)
  • A mini Swiss Army Knife, for defense against irate colleagues and students

Double-strapping the backpack:

  • Clipboard with pen
  • Water bottle
  • Sunscreen
  • Baseball cap
  • Trowel
  • Cut-proof work gloves
  • Reserve pen
  • Bottle of non-aspirin painkillers
  • Asthma inhaler
  • Hand-sanitizing lotion
  • Reserve packet of heavy-duty tissues
  • Digital camera for capturing what used to be known as “Kodak moments”
  • Pocket flashlight for exploring the many underground spaces of Ostia Antica

Possible addition to next year’s gear list: a hip-flask. I suspect that I might make more brilliant discoveries with one. At the least, I won’t notice the phone ringing so much…

~A.P.


Applications Open: Archaeology Field School 2013

We are pleased to announce that we are now accepting applications for our 2013 field school, an intensive six-week educational program in Roman archaeology led by AIRC faculty and affiliated expert archaeologists.  Following two successful digs in Ostia Antica, we continue in our investigations in the harbor city of ancient Rome.  And just as in past years, our field school offers both a synchronic (single-period) and a diachronic (multi-period) approach to the study of Roman culture to provide a comprehensive historical and cultural appreciation of Rome and Roman civilization, from its rise to power to its decline, understanding how it set a standard of cultural values that continues to exert influence over the entire Western world to this day.

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From June 10 through July 21, students will live in Rome’s historic center as they experience the unique combination of (1) one week of specialized academic instruction on the topography and development of Rome, including visits to major museums and open-air sites to augment field studies and provide participants with a broader context of what life was like in the ancient city, and (2) five weeks of hands-on fieldwork at Ostia Antica.  Students can expect hands-on experience and learning in techniques and methodologies of modern archaeological research, archaeological recording and record-keeping, identifying variety of Roman artifacts and building techniques/materials and practice “reading” art, architecture, and other traces of this civilization’s material culture to reconstruct the wider cultural framework, principles of conservation and in depth familiarity with the city of Rome, its port at Ostia and their rich archaeological record.

For more information about our field school, please visit the 2013 Field School information page, review the application/general information, and read  Popular Archaeology’s article about our excavation program.  We remain available to you via email info[at]romanculture.org and are happy to speak with

From June 10 through July 21, 2013, students will live in Rome’s historic center as they experience the unique combination of (1) one week of specialized academic instruction on the topography and development of Rome, including visits to major museums and open-air sites to augment field studies and provide participants with a broader context of what life was like in the ancient city, and (2) five weeks of hands-on fieldwork at an important archaeological site in the city and environs (including laser scanning and total station workshops).  Students can expect hands-on experience and learning in techniques and methodologies of modern archaeological research, archaeological record-keeping, identifying variety of Roman artifacts and building techniques/materials and practice “reading” art, architecture, and other traces of this civilization’s material culture to reconstruct the wider cultural framework, principles of conservation and in depth familiarity with the city of Rome, its port at Ostia and their rich archaeological record.

For more information about our field school, please visit the 2013 Field School information page, review the application/general information, and read  Popular Archaeology‘s article about our excavation program.  We remain available to you via email info[at]romanculture.org and are happy to speak with you to set up a phone conversation to discuss your academic and logistical needs.

Fresnologo